06 Nov

Cornish Rhapsody

By  Robert Walton
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(Hubert Bath)
Analysed by Robert Walton

In the 1940s there was an outpouring of potted pieces for piano and orchestra written specifically for British films. These include The Dream of Olwen (Charles Williams) from “While I Live”, The Legend of the Glass Mountain (Nino Rota) from “The Glass Mountain” and just for a change the real Rachmaninov for “Brief Encounter” borrowed from the Second Piano Concerto. It was Steve Race who cleverly coined the phrase “the Denham Concertos” after the film studio that often featured such works on their soundtracks.

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About Geoff 123
Geoff Leonard was born in Bristol. He spent much of his working career in banking but became an independent record producer in the early nineties, specialising in the works of John Barry and British TV theme compilations.
He also wrote liner notes for many soundtrack albums, including those by John Barry, Roy Budd, Ron Grainer, Maurice Jarre and Johnny Harris. He co-wrote two biographies of John Barry in 1998 and 2008, and is currently working on a biography of singer, actor, producer Adam Faith.
He joined the Internet Movie Data-base (www.imdb.com) as a data-manager in 2001 and looked after biographies, composers and the music-department, amongst other tasks. He retired after nine years loyal service in order to continue writing.