By Robert Walton
There was a school of thought that believed popular musicians with foreign sounding names had a commercial advantage over common or garden Anglo Saxon ones. Catchy names like Mantovani or Kostelanetz certainly had a ring to them but just because they looked or sounded more distinguished than say the Chacksfields or the Farnons of this world weren’t necessarily a guarantee of classier music. After all, most English born music directors had quite ordinary names, ...
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