The Conrad Salinger Orchestra
Georgie Stoll conducts the MGM Studio Orchestra
Sepia 1333 (73:32)
Congratulations to Sepia’s Richard Tay for giving us a rarity these days: a release very much “our kind of music’’, which – up to its sad demise almost five years ago – would have been one of many similar releases reviewed in the Robert Farnon Society’s printed Journal Into Melody.
In a few months time, our book "Hit and Miss: The Story of The John Barry Seven" will be published. Thoroughly and painstakingly researched over a number of years, it will feature contributions from several ex-members of the band and from friends and relatives of John Barry.
Comprising of around 350 pages, it will also be packed with an array of rare photos of the band, and the singers they often supported, as well as some unique images of memorabilia and documentation from that era; some never previously published, many more seldom seen.
Even if you are not necessarily a devotee of The John Barry Seven per se, the book offers a fascinating historical insight into the British music scene of the period and, more importantly, provides an essential read for anybody remotely interested in discovering more about John Barry's formative career.
It will be of great assistance to the authors if you would indicate an interest in purchasing a copy of the book *now*, without obligation. We will then be able to notify you as soon as the book is available with details of cost and how to order and pay.
Obviously your personal details will be kept secure and not shared with anybody else.
A new 12-part David Mellor-hosted series begins on Saturday 7th April. It is broadcast at 9 p.m. every Saturday evening.
Here's a link to the story:
Radio 2 has axed its long-running shows playing organ and brass band music and given new slots to Jo Whiley and Cerys Matthews in a generational shift at Britain’s most listened-to station. The Organist Entertains, which has been on the network for 50 years, is being "rested" with veteran presenter Nigel Ogden retiring. Theatre organist Ogden, 63, has introduced recordings and live broadcasts of pipe and electronic organs, since 1980.
Nigel says: "I'd like to thank my ever loyal audience for their support and messages during the 38 years I've hosted The Organist Entertains. I've loved hearing from them and send them my very best wishes for the future. I’d also like to thank Radio 2 for giving me the opportunity to play the music I love each week - it has been a huge privilege."
Radio 2 has also axed Listen to the Band, its weekly showcase for brass band and military music, presented by 78 year-old conductor Frank Renton. The programme has existed in various forms on the BBC since the Second World War.
The yearly Young Brass Award will remain as a Friday Night Is Music Night special in April; whilst brass and organ music will be included in Friday Night is Music Nightweekly programmes throughout the year. Brass will continue to be heavily featured on a weekly basis in Clare Teal’s Sunday night show, which celebrates big band music.
Frank says: "My 23 years presenting Listen To The Band have been hugely enjoyable, especially playing so much of the music that I love. It has also been an absolute pleasure being part of the Radio 2 family, and I want to thank all those who have listened or contributed to the programme over the years. Of course the next thing on the agenda is the continued celebration of the talent of young British brass players when Ken Bruce and I present the final of the BBC Radio 2 Young Brass Award in April."
Classic FM is celebrating 60 Years of the Light Music Society, of which Robert Farnon was such a committed member
Thursday 12th October on Classic FM at 8.00pm Catherine Bott will present a celebration of the Light Music Society's work and the music that it preserves.
Tonight, Catherine Bott champions this important body by featuring two hours of music by composers who have had connections with the Society and helped make it grow into the organisation it is today.
633 Squadron – Main Theme
Three Elizabeths SuiteA
Things to Come – March
Cecil Armstrong Gibbs
Suite of English Folk Dances
Bells Across The MeadowHaydn Wood
Chanson de Nuit Opus 15 No.1
A Moorside Suite
Handel in the Strand
On Monday November 6th, the broadcaster and vice-president of Putney Music – David Mellor – will deliver a talk entitled:
'LIGHT MUSIC MATTERS'
He will explain why the music of Eric Coates, Leroy Anderson and many others merits an audience today.
The venue is the Dryburgh Hall, Putney Leisure Centre – corner of Dryburgh Road and Upper Richmond Road, London SW15 1BL.
Admission is free to members of Putney Music, guests will be charged £8.00 on the night.
For further details, call 07900 491 470.
The printed programme for the 40th Anniversary London Meeting and Banquet in 1996.
The printed programme for the 40th Anniversary London Meeting and Banquet in 1996.
ROBERTO INGLEZ — ELGIN’S MARVEL
In the centenary year of his birth DON LEE suggests that it’s time to re-evaluate the pioneering output of Elgin’s Latin-American Scot.
Most people outside the readership of Journal Into Melody today have not heard of Roberto lnglez, nor listened to his very individual sort of Latin-American music. Yet, instantly recognisable — on his specialist slow numbers anyway — by his relaxed one-finger piano style that must have been the background music to many a romantic evening in the 1940s/1950s; this was easy listening mood music years before its time.
Lots of his recordings, issued on almost 100 Parlophone 78s have never made it to vinyl, let alone CD, although there are 3 CDs available on Vocalion (CDEA 6O62/6095/6131) and all are well worth acquiring. Guild CD have done their bit too and individual tracks by lnglez can be found on GLCD 5103/5133/5138/5173.
But who was lnglez and what were his origins?
Robert Maxstone Inglis was born June 29th 1913 at 7 West Road, Elgin in Morayshire. His mother was a 20 year-old ‘clerkess’ Jeannie Inglis; no father is listed in the birth register.
‘Berties’ piano lessons began at 5 years of age and by the age of 12 he had proved himself in exams. At 16 years, he was the pianist in a local band: Eddie’s Melody Makers. In 1933 a new roadhouse, ‘The Oakwood’, had opened on the outskirts of Elgin, where the brand new ’Bert Inglis Melody Makers’ provided the necessary music. The following year this ambitious little outfit won first prize in the preliminary heat for the North East of Scotland Dance Band Championship. They played three numbers: "Lullaby Lady", "You Or No One" and "A Bugle Call Rang Out". The main prizes were a cup presented by ‘The Tune Times’ and a year’s supply of dance orchestrations from Lawrence Wright Music. I wonder whatever happened to the cup?
Bert’s main occupation was training for dentistry but a choice had to be made: stay in Elgin with steady work or, inspired by his dedication to music and a determination to succeed, seek fame and fortune, perhaps, in London.
He left Elgin and enrolled at the Royal Academy of Music studying orchestration and arrangement and whilst there Bert met another enthusiastic student keen on the Latin sound then emanating from the London club scene — one Edmundo Ros. In 1940 Ros formed ‘Ros’s Rumba Romantics’ with Bert on piano — now renamed Roberto lnglez to fall in with the Latin image. Parlophone saw the commercial possibilities and despite wartime difficulties of shellac supply some 28 numbers were recorded in 1941/1942. Ros predominates but there is enough of the lnglez piano featured to judge how the Inglez style was developing.
By 1944, IngIez had left Ros to establish his own 9-piece rumba band. The new band played one most important date on October 15th 1944 at the now demolished Stoll Theatre on Kingsway: it was ‘Jazz Jamboree 1944’. HeadIining was the whole Glenn Miller AEF orchestra and strings, no less. Incidentally, the music programme recorded as also present the GeraIdo Orchestra with on 2nd Alto, one Wally Stott. It must have been quite an event.
In 1945, lnglez made a huge professional jump to become bandleader at London’s premier hotel, The Savoy, as relief band to Carroll Gibbons. Parlophone saw their chance again and lnglez, now with his own band, his own arrangements and — at last — his own sound, began to issue a long series of 78s beginning with "Laura" in October 1945. David Ades chose this for his EMI compilation ‘Memories Of The Light Programme’ in 1993. Even though the Light Programme didn’t officially open until 1946, "Laura" was regularly heard for many years after it was first released. Sometimes Roberto’s records were show tunes and film favourites amongst the instrumentals aimed at foreign markets, and there were a few inoffensive vocals by Inglez in an unmistakable Scottish burr.
However, prominent amongst the material recorded were slow and seductive Latin rhumbas like "Come Closer To Me", "Mi Vida" and "Frenesi", that if gathered together and sequenced would more than match any ‘Iate night/after hours’ material that predominated in LPs of the 60s and 70s, right up to the present.
By the late 40s Inglez was able to undertake foreign tours during the summer vacation and it was the success of these which eventually led to him to be summonsed back to The Savoy to fulfil his contractual obligations.
When EMI began to issue vinyl in 1953 there were three 45s and one 10" LP by the Roberto lnglez Orchestra but they were all 78 reissues. Another departure was in the field of Radio Programme/Library music and there is, at least one example of a live performance of the Inglez band for The Savoy in a half hour programme ‘London Town’. An advert reproduced in JIM No. 145 (December 2000) is the only evidence I’ve seen of this and more details would be very much appreciated if anybody can throw further light on this little-known aspect of lnglez’s activities.
In early 1954, with little warning, Inglez left The Savoy and emigrated to Chile to begin a new life there and the regular series of Parlophone 78s dried up. Recording activity in Chile remains scantily documented and awaits further research. However, a World Record LP of the early 70s ‘escaped’ to Britain and there were a handful of other albums released locally in South America.
There I must finish for the time being — hopefully there may be a revival of interest in this centenary year of the ‘Elgin Marvel’ that will lead to a re-evaluation of his unique style of music, and perhaps a more comprehensive reissue programme of his works.
Roberto Inglez died in Santiago on 4 September 1977 aged 65.
This tribute appeared in the August 2013 issue of ‘Journal Into Melody’