25 Aug

The Bad and the Beautiful

By  Robert Walton
(0 votes)

(Raksin)
Analysed by Robert Walton

Robert Farnon was one of the first light orchestral composers to come up with a most original idea. He found that a complicated beginning of a piece (almost atonal) not only provided a sense of risk-taking like a high wire act, but kept the listener guessing as to where it would finally alight in a normal tonal context. His Manhattan Playboy has all the elements of such a format in which the opening bars of the actual tune are a sort of boppish free fall before landing in the safety net of the home chord. The effect of all this was mind-blowing...

Read the article here...

Submit to Facebook
Read 1968 times Last modified on Friday, 25 August 2017 09:14

Leave a comment

Make sure you enter all the required information, indicated by an asterisk (*). HTML code is not allowed.

Login Form RFS

Hi to post comments, please login, or create an account first.
We cannot be too careful with a world full of spammers. Apologies for the inconvenience caused.

Keep in Touch on Facebook!    

 If you have any comments or questions about the content of our website or Light Music in general, please join the Robert Farnon Society Facebook page.
About Geoff 123
Geoff Leonard was born in Bristol. He spent much of his working career in banking but became an independent record producer in the early nineties, specialising in the works of John Barry and British TV theme compilations.
He also wrote liner notes for many soundtrack albums, including those by John Barry, Roy Budd, Ron Grainer, Maurice Jarre and Johnny Harris. He co-wrote two biographies of John Barry in 1998 and 2008, and is currently working on a biography of singer, actor, producer Adam Faith.
He joined the Internet Movie Data-base (www.imdb.com) as a data-manager in 2001 and looked after biographies, composers and the music-department, amongst other tasks. He retired after nine years loyal service in order to continue writing.